Hark ye, Blueskin," continued he, addressing that personage, who, in obedience to his commands, had, with great promptitude, driven out the rabble, and again secured the door, "a word in your ear. When he returned from pissing, he sat down with her. He turned, expecting to see his wife. Stanley, having pretended to linger to smoke, fled suddenly up-stairs to petrography, and when Veronica tapped he answered through the locked door, “Go away, Vee! I’m busy,” and made a lapidary’s wheel buzz loudly. Wrap yourself in my cloak, and keep it. She listened with dumb fear in her eyes. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. The thought of their faces, and particularly of her aunt’s, as it would meet the fact— disconcerted, unfriendly, condemning, pained—occurred to her again and again. She was never announced as ‘Alcide,’ but directly she walked on she simply became ‘Alcide’ to every one.
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